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orchestra
Stabat Matres: comment choisir de devenir mere aujo - 2023
// interdisciplinary performance for sopranos, actress, dancer & electronics; 60'00"
// co-created with Celia Hoffman, Lola Giouse, Kinda Gozo, Marie Lippe, Zoéline Simone, Anne-Sophie Subilia
Is There Really No Alternative? - 2022
// performance for 4 dancers using voice and objects by Michal Samama; 75'00"
60 Seconds - 2022
// for live electronic installation; 20'00"
Creatures of Kottbus- 2021
// for flute, bass clarinet, violin, cello, fixed media & visuals; 10'30"
// texts by Sarah Fartuun Heinze
// co-conceived with Sarah Fartuun Heinze
Is There Really No Alternative? - 2020
// for flute, clarinet (b. cl), piano, violin, violoncello; 11'00"
60 Seconds - 2020
// for piano & live electronics; 1'00"
The Aesthetics of IMpending Catastrophe - 2019
// for 24-channel live electronics & installation; 20'00"
L'Avenir Semble Interdit - 2018
// for alto flute, prepared piano, viola & contrabass ; 10'00"
Zero Sum - 2018
// for 4-channel live electronics; 12'00"
The Spectre of Fibonnacism - 2018
// for stereo tape composed using segmod; 2'00"
solo & electronics
Events are Events - 2017
// for dancer, performer, live electronics & google; 25'00"
// choreographer: Netta Weiser
The Secret Lives of Electro-Magnetic Transducers - 2017
// for flute, trumpet, prepared piano, guitar, contrabass, live electronics & installation; 35'00" - 40'00"
// texts by Alma Miryam Katz
Belle CAnto - 2016
// for 3 unreasonable performers, live electronics & light sensors ; 7'00"
// composed with Ronald Boersen & Dganit Elyakim
Variations on a Theme That Is Yet to Be Composed - 2016
// for viola, live electronics & percussion-installation; 8'00"
// can alternatively be performed on alto/bass flute, cello, contrabass
Ozlat HaYad HaNe'elama - 2016
אזלת היד הנעלמה
// for quintet playing self-constructed instruments w/ sensors, live electronics & installation
(and alto flute, bass clarinet, percussion, cello); 7'00"
Life Hersel- 2015-16
לא שוכחת לרגע את החיים עצמן
// for dancer w/ motion sensor & live electronics; 15'00"
// choreographer: Netta Weiser
Perspectives on a Theme That Is Yet to Be Composed - 2015
// for percussion, live electronics & percussion-installation; 3'30", 6'00", 5'00"
// in collaboration with martin lorenz
Dreams and Nightmares - 2015
// for soprano, live electronics & teapot installation; 3'00"
// composed for Ariadne Greif's multi-composer project
// composed on sexist texts by misogynist conductors
La Danse Fait Elle du Bruits - 2014
// for 5 dancers w/ sensors, bassoon & live electronics; 10'00"
// choreographer: Loïc Tozé
Parzival SK8 - 2013
// chamber opera for 3 singers, 3 local skateboarding teenagers, sax, drums, keyboards, e. guitar, cello & live electronics; 1 hr
// (very) loosely based on Parsifal by Richard Wagner
// co-composed with Marcus Thomas, directed by Birgit Grimm
// a production of Junge Oper Berlin, Schlossplatz Theater & Mellowpark Skate Hall
13 Études de Légèreté - 2013
// for 3 contrabasses, unreasonable amounts of live electronics & installation; 9'00"
Das Heer - 2013
// chamber opera for 3 singers, scream choir, bass clarinet, percussion, contrabass & live electronics; 30'00"
// (very) loosely based on Die Walküre by Richard Wagner
// a production of die Akademie der Künste Berlin & die Universität der Künste Berlin
Quartet
II.Wavelets - 2012
// for alto flute, prepared piano, viola & contrabass or cello; 6'30"
Écroulement Général - 2012
// 24-channel live electronics; 10'00"
Hebrew Lessons - 2011-12
// for soprano, flute, clarinet, piano, violin, viola & cello; 16'00"
// texts by Hezi Leskly
Quintet for 4 winds & 1 cigarette roller - 2011
// for flute, oboe, clarinet, horn, actor & live electronics; 13'00"
Attention Deficit Disorder - 2011
// for flute (a. fl), clarinet (b. cl), prepared piano, violin & cello; 15'30"
Auto-Déterminationd- 2010
// for soprano, live electronics & wii-mote; 4'00"
// text: "Auto-Détermination" by Gherasim Luca
Quartet
I.Sysiphus - 2010
// for alto flute, prepared piano, viola & contrabass or cello; 5'00"
La fuite obstinée mais néanmoins infructueuse d'un troupeau - 2009
// 8-channel tape; 3'00"
Trio - 2008
// for flute, clarinet and cello; 8'30"
BaEmek HaZe - 2008
// stereo tape; 8'00"
Conjectures - 2007
// for orchestra; 14'00"